Staff Reading Recommendations

Many of us feel trapped in a grind of constant change: rolling news cycles, the chatter of social media, our families split along partisan lines. We feel fearful and tired, on edge in our bodies, not quite knowing what has us perpetually depleted. For Katherine May, this low hum of fatigue and anxiety made her wonder what she was missing. Could there be a different way to relate to the world, one that would allow her to feel more rested and at ease, even as seismic changes unfold on the planet? Might there be a way for all of us to move through life with curiosity and tenderness, sensitized to the subtle magic all around?

In Enchantment, May invites the reader to come with her on a journey to reawaken our innate sense of wonder and awe. With humor, candor, and warmth, she shares stories of her own struggles with work, family, and the aftereffects of pandemic, particularly feelings of overwhelm as the world rushes to reopen. Craving a different way to live, May begins to explore the restorative properties of the natural world, moving through the elements of earth, water, fire, and air and identifying the quiet traces of magic that can be found only when we look for them. Through deliberate attention and ritual, she unearths the potency and nourishment that come from quiet reconnection with our immediate environment. Blending lyricism and storytelling, sensitivity and empathy, Enchantment invites each of us to open the door to human experience in all its sensual complexity, and to find the beauty waiting for us there.

Atticus O’Sullivan is the last of the ancient druids. He has been on the run for more than two thousand years and he’s tired of it. The Irish gods who want to kill him are after an enchanted sword he stole in a first-century battle, and when they find him managing an occult bookshop in Tempe, Arizona, Atticus doesn’t want to uproot his life again. He just wants everything to end one way or another, but preferably the way in which he can continue to enjoy fish and chips.

He does have some small hope of survival: The Morrigan, the Irish Chooser of the Slain, is on his side, and so is Brighid, First Among the Fae. His lawyer is literally a bloodsucking vampire, and he has a loyal Irish wolfhound with opinions about poodles.

But he’s facing down some mighty enemies: Aenghus Óg, a vengeful Irish god, plus a coven of witches and even the local police. On top of all that, Aenghus has a direct line to the firepower of hell. Atticus will need all the luck of the Irish and more if he’s going to stay alive.

“As a heartless killing machine, I was a complete failure.”

In a corporate-dominated spacefaring future, planetary missions must be approved and supplied by the Company. Exploratory teams are accompanied by Company-supplied security androids, for their own safety.

But in a society where contracts are awarded to the lowest bidder, safety isn’t a primary concern.

On a distant planet, a team of scientists are conducting surface tests, shadowed by their Company-supplied ‘droid — a self-aware SecUnit that has hacked its own governor module, and refers to itself (though never out loud) as “Murderbot.” Scornful of humans, all it really wants is to be left alone long enough to figure out who it is.

But when a neighboring mission goes dark, it’s up to the scientists and their Murderbot to get to the truth.

It was a mistake to trust him.

Shivering and bruised, a teen wakes up on the side of a dirt road with no memory of how she got there―or who she is. A passing officer takes her to the police station, and not long after, a frantic man arrives. He’s been searching for her for hours. He has her school ID, her birth certificate, and even family photos.

He is her father. Her name is Mary. Or so he says.

When Lola slammed the car door and stormed off into the night, Drew thought they just needed some time to cool off. Except Lola disappeared, and the sheriff, his friends, and the whole town are convinced Drew murdered his girlfriend. Forget proving his innocence, he needs to find her before it’s too late. The longer Lola is missing, the fewer leads there are to follow…and the more danger they both are in.

When she stumbles across the ad, she’s looking for something else completely. But it seems like too good an opportunity to miss—a live-in nannying post, with a staggeringly generous salary. And when Rowan Caine arrives at Heatherbrae House, she is smitten—by the luxurious “smart” home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family.

What she doesn’t know is that she’s stepping into a nightmare—one that will end with a child dead and herself in prison awaiting trial for murder.

Writing to her lawyer from prison, she struggles to explain the events that led to her incarceration. It wasn’t just the constant surveillance from the home’s cameras, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn’t just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn’t even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman.

It was everything.

She knows she’s made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn’t always ideal. She’s not innocent, by any means. But, she maintains, she’s not guilty—at least not of murder—but somebody is.

Full of spellbinding menace and told in Ruth Ware’s signature suspenseful style, The Turn of the Key is an unputdownable thriller from the Agatha Christie of our time.

Romance writer Penelope Banks can write the perfect love story, but when it comes to family, all she’s got is a rough draft. Penny shelved the idea of fitting in with her high-achieving family years ago, but when her new business venture—a romance bookstore—is at risk of closing before its doors have opened, she’s forced to ask for help from the one place she never expected. Home.

Penny’s prepared for the usual Thanksgiving lineup: her perfect sister, meddling nana, matchmaking mother, and workaholic father. The guest she didn’t anticipate? Her ex-husband, Smith. After an awkward rideshare with Smith leaves Penny questioning why the romance in her life exists only in her novels, Penny adds some fiction to reality and turns her father’s colleague into the perfect fake boyfriend.

With only four days to mend damaged relationships, and her bookstore’s future at stake, all the stars must align for Penny to finally write a happily ever after for herself and her family.

Nobody ever goes to Hartwood Hall. Folks say it’s cursed…

It’s 1852 and Margaret Lennox, a young widow, attempts to escape the shadows of her past by taking a position as governess to an only child, Louis, at an isolated country house in the west of England.

But Margaret soon starts to feel that something isn’t quite right. There are strange figures in the dark, tensions between servants, and an abandoned east wing. Even stranger is the local gossip surrounding Mrs. Eversham, Louis’s widowed mother, who is deeply distrusted in the village.

Lonely and unsure whom to trust, Margaret finds distraction in a forbidden relationship with the gardener, Paul. But as Margaret’s history threatens to catch up with her, it isn’t long before she learns the truth behind the secrets of Hartwood Hall.

It’s been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend.

One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of “what do people need?” is answered.

But the answer to that question depends on who you ask, and how.

They’re going to need to ask it a lot.

Becky Chambers’s new series asks: in a world where people have what they want, does having more matter?

Tesla Crane, a brilliant inventor and an heiress, is on her honeymoon on an interplanetary space liner, cruising between the Moon and Mars. She’s traveling incognito and is reveling in her anonymity. Then someone is murdered and the festering chowderheads who run security have the audacity to arrest her spouse. Armed with banter, martinis and her small service dog, Tesla is determined to solve the crime so that the newlyweds can get back to canoodling―and keep the real killer from striking again.

MEET HANNA: Seven-year-old Hanna is a sweet-but-silent angel in the eyes of her adoring father Alex. He’s the only person who understands her. But her mother Suzette stands in her way, and she’ll try any trick she can think of to get rid of her. Ideally for good.

MEET SUZETTE: Suzette loves her daughter, but after years of expulsions and strained home schooling, her precarious health and sanity are weakening day by day. She’s also becoming increasingly frightened by Hanna’s little games, while her husband Alex remains blind to the failing family dynamics. Soon, Suzette starts to fear that maybe their supposedly innocent baby girl may have a truly sinister agenda.
A battle of wills between mother and daughter reveals the frailty and falsehood of familial bonds in award-winning playwright and filmmaker Zoje Stage’s tense novel of psychological suspense, Baby Teeth.

Penny’s prepared for the usual Thanksgiving lineup: her perfect sister, meddling nana, matchmaking mother, and workaholic father. The guest she didn’t anticipate? Her ex-husband, Smith. After an awkward rideshare with Smith leaves Penny questioning why the romance in her life exists only in her novels, Penny adds some fiction to reality and turns her father’s colleague into the perfect fake boyfriend.

With only four days to mend damaged relationships, and her bookstore’s future at stake, all the stars must align for Penny to finally write a happily ever after for herself and her family.

Are there any genuinely wild places left in Britain and Ireland? That is the question that Robert Macfarlane poses to himself as he embarks on a series of breathtaking journeys through some of the archipelago’s most remarkable landscapes. He climbs, walks, and swims by day and spends his nights sleeping on cliff-tops and in ancient meadows and wildwoods. With elegance and passion he entwines history, memory, and landscape in a bewitching evocation of wildness and its vital importance.

I carry each book I’ve ever read with me, just as I carry my dead―those things that aren’t really there, those things that shape everything I am.

A genre-bending work of nonfiction, Samantha Hunt’s The Unwritten Book explores ghosts, ghost stories, and haunting, in the broadest sense of each. What is it to be haunted, to be a ghost, to die, to live, to read? Books are ghosts; reading is communion with the dead. Alcohol is a way of communing, too, as well as a way of dying.

Each chapter gathers subjects that haunt: dead people, the forest, the towering library of all those books we’ll never have time to read or write. Hunt, like a mad crossword puzzler, looks for patterns and clues. Through literary criticism, history, family history, and memoir, inspired by W. G. Sebald, James Joyce, Ali Smith, Toni Morrison, William Faulkner, and many others, Hunt explores motherhood, hoarding, legacies of addiction, grief, how we insulate ourselves from the past, how we misinterpret the world. Nestled within her inquiry is a very special ghost book, an incomplete manuscript about people who can fly without wings, written by her father and found in his desk just days after he died. What secret messages might his work reveal? What wisdom might she distill from its unfinished pages?

Hunt conveys a vivid and grateful life, one that comes from living closer to the dead and shedding fear for wonder. The Unwritten Book revels in the randomness, connectivity, and magic of everyday existence. And at its heart is the immense weight of love.

In Margaret Atwood’s dystopian future, environmental disasters and declining birthrates have led to a Second American Civil War. The result is the rise of the Republic of Gilead, a totalitarian regime that enforces rigid social roles and enslaves the few remaining fertile women. Offred is one of these, a Handmaid bound to produce children for one of Gilead’s commanders. Deprived of her husband, her child, her freedom, and even her own name, Offred clings to her memories and her will to survive. At once a scathing satire, an ominous warning, and a tour de force of narrative suspense, The Handmaid’s Tale is a modern classic.

In a peaceful retirement village, four unlikely friends meet weekly in the Jigsaw Room to discuss unsolved crimes; together they call themselves the Thursday Murder Club.

When a local developer is found dead with a mysterious photograph left next to the body, the Thursday Murder Club suddenly find themselves in the middle of their first live case.

As the bodies begin to pile up, can our unorthodox but brilliant gang catch the killer, before it’s too late?

Daniel Sullivan leads a complicated life. A New Yorker living in the wilds of Ireland, he has children he never sees in California, a father he loathes in Brooklyn, and his wife, Claudette, is a reclusive ex–film star given to pulling a gun on anyone who ventures up their driveway. Together, they have made an idyllic life in the country, but a secret from Daniel’s past threatens to destroy their meticulously constructed and fiercely protected home. Shot through with humor and wisdom, This Must Be the Place is an irresistible love story that crisscrosses continents and time zones as it captures an extraordinary marriage, and an unforgettable family, with wit and deep affection.